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Empire of the Sun artwork

By 3 September 2025No Comments

Empire of the Sun artwork

About the authorThis is the quest article by Ayesha Ambreen, a Creative Content Strategist, Top Author on Quora, Featured SlideShare Author, and Graphic Designer. Best known for her creative visuals and viral content ideas, Ayesha’s work has been featured on blogs such as Entrepreneur https://robertsonpiper.com/mobilebet-bonus-code/.com, LifeHacker, CreativeBloq, Hubspot and more. She holds a degree in telecommunication engineering with extensive experience in writing, outreach, strategic visuals, and search engine marketing.

If you want to recreate this image, then Picsart is the perfect platform for you. Open the app then pick an image either from your gallery or from the library of free images. Use the Cutout tool to quickly remove the background from your image, then use the Fit tool to add a newspaper background. Combine all this with stickers and a vintage filter of your choice and you’re all set.

Optical Art was a term coined in 1964 by Time magazine to describe a form of abstract design that created illusions using positive and negative space. It fast became one of the biggest trends of the decade. Sometimes generating a sense of movement, sometimes revealing different scenes depending on the viewer’s focus, Optical Art plays upon the figure-ground relationship.

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Cinematic artwork

Similarly, filmmakers were influenced by painting. Directors like Georges Méliès, known for his fantastical and imaginative films, drew heavily from the traditions of theatrical set design and visual art to create his cinematic worlds. The interplay between these mediums laid the foundation for future explorations and collaborations between filmmakers and painters.

It’s impossible to overlook “Bonaparte Crossing the Great Saint Bernard Pass” by Jacques-Louis David (1800-1803), fabulously brought to life by Sofia Coppola in “Marie Antoinette” (2006). The immaculate rearing horse, led by a resolute Napoleon with a red cape, pays homage to the masterpiece by the French painter.

Color also became a powerful tool for storytelling in both film and painting. With the advent of color film, directors like Alfred Hitchcock and Stanley Kubrick used color palettes strategically to evoke specific emotions and themes. This cinematic use of color inspired painters to think more critically about their color choices, using vibrant or muted tones to set the mood and enhance the narrative quality of their work.

One of the earliest examples of cross-influence between filmmakers and painters can be seen in the works of the Impressionists and Post-Impressionists, who were contemporaneous with the birth of cinema. Artists like Edgar Degas and Pierre-Auguste Renoir, who had an interest in the emerging art form of photography, were intrigued by the motion and framing that cinema introduced. Degas, in particular, experimented with capturing movement in his paintings, drawing inspiration from the way film sequences portrayed the fluidity of motion.

The 1925 painting The House By the Railroad, portraying the changing America with old houses left out of context with the advent of railroads, is picked up by Hitchcock. The old House, waiting to be explored by the railroad, then becomes the landscape for the horror to unfold.